Quiet writing on the houses we actually live in
Sponsored Review · Kitchen Objects

The heritage object that earned its square foot.

Sixty days with a Hearthstone Iron Co. cast iron skillet, what quietly changed when one object replaced three, and the quieter design argument hiding inside it.

A heritage cast iron skillet on a wooden trivet in a Japandi-style kitchen, soft afternoon light.
The Hearthstone 10-inch on day 47. It has stopped being an experiment and started being a fact of the kitchen.

For most of my adult life I have believed that the best kitchen design decisions are subtractive. Buy less, fit less, ask each object to earn its square foot. I am still a believer. It is the reason I spent the last sixty days quietly testing a cast iron skillet that, on paper, my kitchen does not have room for.

I want to write about it because the test surprised me. Hearthstone Iron Co. sent me the pan and we agreed that the essay would run whatever I concluded. (Full disclosure at the bottom; the same rules apply here as on every sponsored review on Home Design 21.) What I concluded is that the design argument I had been running on cast iron was wrong, and that the kitchen I now have is meaningfully better for it. I have written this slowly because the conclusion is worth taking seriously.

The case I had been making against

Cast iron, as I understood it, was a romantic object. Heavy, slow, demanding. The kind of thing you write about in long-form magazines and then quietly leave on the shelf. The version I had cooked on as a teenager — my mother's, inherited from her mother — was rough, hard to season, prone to rust, and difficult to lift after a long day. I had not used a cast iron skillet in eleven years, and I had not missed one.

I had also, by then, become quietly skeptical of the heritage-object aesthetic in general. The instinct to surround oneself with brass-and-walnut "forever" objects can easily curdle into a kind of acquisitive nostalgia — buying more stuff in the name of buying less. I was wary of falling for that move with a pan.

"The instinct to surround oneself with brass-and-walnut forever objects can curdle into acquisitive nostalgia. I was wary of falling for that move with a pan."

The skillet I tested

The Hearthstone Iron Co. 10-inch is heritage cast iron in the proper sense of the word — American-poured, pre-seasoned, with a meaningfully smooth cook surface and a handle balance you can feel before you ever turn the burner on. It does not look like the rough, pebbled pan I remembered from my mother's kitchen. It looks like an object that has been thought about.

I tested it across four use cases over the sixty-day window: morning eggs (the unforgiving test), the one-pan roasted vegetables that constitute most of my weeknight cooking, a weekly steak (the high-heat test), and the cleaning routine (the test where most cast iron pans quietly lose their argument with the user).

The eggs took eleven days

I want to be honest about this part because most cast iron reviews skip past it. For the first ten mornings, the eggs stuck. Not catastrophically — Hearthstone's pre-seasoning is meaningfully better than the cast iron I remembered — but enough to make me question whether the pan was actually going to settle. On day eleven, the seasoning that I had been building up across the previous cooking quietly took, and the eggs released. By day thirty they slid. By day sixty I prefer this pan for eggs to any other pan I have cooked on, which is a sentence I would not have believed possible to write when I started this review.

The roasted vegetables are the use case that converted me

It is the slowest cooking the pan does — vegetables roasted in the oven at 425°F for forty minutes, the kind of weeknight meal where the pan is a delivery vehicle for caramelisation rather than a heat-transfer instrument. And it is the cooking that shows the heritage object's actual design argument. The thermal mass of cast iron means the pan continues caramelising the vegetables after I have turned the oven off. The same five sweet potatoes finish meaningfully more browned, with crisper edges, than they ever did in my old roasting tray. I have started leaving the oven off for the last six minutes of every roast.

A serene Scandinavian-Japandi living room interior, used here as a wider view of the kitchen and home.
The kitchen, on day sixty. The pan now lives on a hook above the stove. It looks better there than in any cabinet I have ever had.

The design argument I have come around to

Here is the part of the review I have been writing in my notebook for weeks before sitting down with the essay. The argument for cast iron in a small, considered kitchen is not the heritage one. It is the subtractive one — the same argument I have always made for restraint in everything else.

This single pan, in the sixty days I have been cooking on it, has replaced three:

Three pans gone from the cabinet. One pan in their place — but on a hook above the stove, not behind a door. The cabinet I freed up is now where I keep the dry goods I actually use weekly, where they belong. The kitchen, sixty days in, is meaningfully more usable than it was when I started, and it contains fewer objects.

The honest list of caveats

The case I am making here is for a specific kind of cook: one who already cooks two or more times a week in a small, deliberately edited kitchen. If that is not you, my conclusion will not hold, and I would rather lose the recommendation than have it land wrongly.

Would I tell a friend living in a small apartment to buy one

Yes. Specifically: I would tell a friend whose kitchen is already nearly the way they want it, who cooks for themselves or a partner most weeknights, and who has been quietly thinking about replacing a tired nonstick. That is the cook this pan is for. To everyone else — chefs by trade, weekend-only home cooks, anyone who has not yet developed a relationship with the act of cooking — I would say wait. Buy a Hearthstone after you have decided that cooking is something you actually do.

Sixty days in, I am writing this from my kitchen with the pan on the hook above the stove. It is a beautiful object. It is also a useful one. I have not yet found a third category I want it to belong to. I think that is the point.

— Mira
Mira Halvorsen

About Mira

Mira Halvorsen writes Home Design 21 — quiet essays on the houses we actually live in, the objects that earn their square foot, and the design decisions that look subtractive on the surface and turn out to be additive in the end. She is 39, half-Norwegian, half-American, and currently writes from a 60-square-metre apartment in a coastal European city. One essay per fortnight; reviews only after thirty days minimum of real use.